错误

Zhang-Daqian-Sceneries-of-Jiangnan-HK5-7mHK28.66m1

郑愁予

我打江南走过
那等在季节里的容颜如莲花的开落
东风不来,三月的柳絮不飞
你的心如小小的寂寞的城
恰若青石的街道向晚
跫音不响,三月的窗扉紧掩
我达达的马蹄是美丽的错误
我不是归人,是个过客

2_Zheng_Chou_yuZheng Chouyu Zheng Chouyu (1933-), a well-known Chinese poet, was born in Mainland China and moved to Taiwan in 1949. His work abounds with classical Chinese poetic images, exemplified by this poem “A Mistake.” “A Mistake” belongs to “Boudoir Lament” (guisi 闺思), a popular subgenre in the long Chinese poetic tradition. “Boudoir Lament” poems were often written by male poets in the voice of a woman yearning for her absent lover/husband. Boudoir Lament poetry is often set in difficult times such as war, when lovers tended to be separated. It is said that this piece is a poetic treatment of the poet’s own childhood experience in wartime China in the 1940s, and that the archetype of the woman is the poet’s mother. It is a beautifully written poem that captures the spirit of the long poetic imagination of South Land (Jiangnan 江南), the cultural construct corresponding to the geographical region of the lower Yangzi River delta. It conjures up an image of waterland and lotus flowers, and people of talent, beauty, affluence, and cultural refinement. The feminine “South” is often contrasted to the masculine “North,” which is also a constructed place, connoting a borderland of bitterly cold winters and hardships.


Published on January 12th of 2016 in Guest Languages.



[ + bar ]


The only happy ending for a love story is an accident (excerpt)

J.P. Cuenca translated by Elizabeth Lowe     Before Mr. Atsuo Okuda opened the box, everything was dark.
 In fact, there was nothing to be illuminated before Mr. Okuda opened the box.... Read More »

Love

Zhang Ailing translated by Qiaomei Tang

It is true.

There was a village. There was a girl from a well-to-do family. She was a beauty. Matchmakers came, but... Read More »


The Internet as Novel

 

On Carlos Labbé’s Piezas secretas contra el mundo (Periférica 2014)

Samuel Rutter

A recent interview in El País identified Carlos Labbé (Santiago de Chile, 1977) as a writer at... Read More »


DARK (an overture)

Edgardo Cozarinsky translated by Cayley Taylor

It starts, always, in the temples, an almost imperceptible throbbing at first, and in the precise moment he acknowledges it, that pulsing starts... Read More »



» subscribe!

Newsletter